He laughed and threw the bottle upwards with a gesticulation I did not understand. This borrows Archie Goodwin's revised ending verbatim. Montresor then declares that, since Fortunato won't go back, Montresor must "positively leave" him there. Then, too, the entire situation is ironic — that is, the most terrible and gruesome deeds are executed in a carnival atmosphere of gaiety and happiness; Montresor is using the atmosphere of celebration to disguise the horribly atrocious act of entombing a man alive.
He is careful to outline not the horror, but the genius in his scheme. But then, again, the question arises: He claims that he feels sick at heart, but dismisses this reaction as an effect of the dampness of the catacombs.
The ultimate irony of the story then, is that, although Montresor has tried to fulfill his two criteria for a successful revenge, Fortunato has fulfilled them better than he has.
The cold is merely nothing. In this version, Pocket is saved by a mermaid. John Freehafer disputes this theory: There was then a long and obstinate silence.
The same is true when Fortunato insults Montresor concerning the masons — both a secret, honorable order which requires close scrutiny for a person to become a member and, of course, an honorable trade, a tool of which Montresor will use for a most dishonorable deed. He repeated the movement --a grotesque one.
Cecil also suggests that some people might feel Fortunato deserved to be buried alive for wasting a bottle of fine wine. At the most remote end of the crypt there appeared another less spacious. Apparently, Montresor had been planning this revenge for a long time and, ironically, had chosen carnival time as the setting for this most horrible type of crime.
Adaptation by Rich Margopoulos, art by Martin Salvador. The vaults are insufferably damp. Adaptation by Hector D. You are rich, respected, admired, beloved; you are happy, as once I was. It seemed to have been constructed for no especial use within itself, but formed merely the interval between two of the colossal supports of the roof of the catacombs, and was backed by one of their circumscribing walls of solid granite.
Terror of the Soul adapts the story. The amalgamation of the two stories provides a motive for the murderer: Unsheathing my rapier, I began to grope with it about the recess; but the thought of an instant reassured me. Many commentators conclude that, lacking significant reason, Montresor must be insanethough even this is questionable because of the intricate details of the plot.
Historically, Massie had been killed in a sword duel on Christmas Day by Lieutenant Gustavus Drane, following a dispute during a card game. I called again -- "Fortunato!
Adaptation by David E. He laughed and threw the bottle upwards with a gesticulation I did not understand. She claims that Montresor only speaks of revenge to direct attention away from his perverse need to destroy a friend Freemasonry, though not a religion, embraces religious elements Lewissome of which conflict with Catholicism.
As for Luchresi --" "He is an ignoramus," interrupted my friend, as he stepped unsteadily forward, while I followed immediately at his heels. During the time period of this short story some coffins were given methods of alerting the outside in the event of live entombment.
For a brief moment I hesitated, I trembled. When Fortunato makes a gesture indicating that he is a member of the secret society of Masons, Montresor claims that he is also and proves it by revealing a trowel, the sign of his plot to wall up Fortunato.
I again paused, and holding the flambeaux over the mason-work, threw a few feeble rays upon the figure within.
Items such as bells tied to the limbs of a corpse to signal the outside were not uncommon. The amalgamation of the two stories provides a motive for the murderer: You are a man to be missed. The double and ironic viewpoint continues on every plane.
It was written by Archie Goodwin, with art by Reed Crandall. Three sides of this interior crypt were still ornamented in this manner. As they descended into the vaults, Fortunato walked unsteadily and the "bells upon his cap jingled" as they descended, creating a further carnival atmosphere or a joyous time, a time which will ironically end soon with the living death of the unfortunate Fortunato."The Amontillado!" I said.
"He! he! he! --he! he! he! --yes, the Amontillado. But is it not getting late? Will not they be awaiting us at the palazzo, the Lady Fortunato and the rest? Let us be gone." "Yes," I said, "let us be gone." "For the love of God, Montresor!" "Yes," I said, "for the love of God!" But to these words I hearkened in vain for a reply.
The Cask of Amontillado foRTunaTo had huRT me a thousand times and I had suffered quietly. But then I learned that he had laughed at my proud name, Montresor, the name of an old and honored family. I promised myself that I would make him pay for this — that I would have revenge.
You must not suppose, however, that I spoke of this to anyone. THE CASK OF AMONTILLADO by Edgar Allan Poe () THE thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. The Cask of Amontillado foRTunaTo had huRT me a thousand times and I had suffered myself that I would make him pay for this — that I would have revenge.
You must not suppose, however, that I spoke of this to anyone.
I would make him pay, yes; but I would act only with the Edgar Allan Poe: Storyteller I bought the best I could find. Montresor's Unsuccessful Revenge: Subtle Irony in "Cask of Amontillado" by Edgar Allan Poe Words Oct 31st, 8 Pages Throughout his literary career, Edgar Allan Poe.
A summary of “The Cask of Amontillado” () in Edgar Allan Poe's Poe’s Short Stories. Learn exactly what happened in this chapter, scene, or section of Poe’s Short Stories and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.Download